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RECIPES / SEVEN CAMERA SLOTS

Choose recipes for your X-T2.

161 imported recipes, with source credits. Browse, save favourites and arrange C1–C7. Settings from newer cameras stay marked as references.

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161 recipes · All authors · Drag a card to a slot, or choose a slot from its menu. Source photos are credited to their authors.

Source photograph for Reggie’s Portra
Photo: Reggie Ballesteros ↗Source-camera sample
classic chrome

Reggie’s Portra

Reggie Ballesteros

  • Everyday
  • Portraits
  • Natural

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
auto
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-4
Highlight
-1
Shadow
-1
Color
2
Sharpness
-2
Noise reduction
-4
Grain
weak

Source notes and additional settings: Clarity 0; grain size Small; Color Chrome Effect Strong; Color Chrome FX Blue Weak; Exposure mode Manual; set on camera.; The author uses a CineBloom 5% diffusion filter, with stronger diffusion for some samples..

Fujifilm X100V and X-T5 source samples.

Source & photos ↗
Reference image for Kodachrome 64 — version 1
Photo: Ritchie Roesch / Fuji X Weekly ↗Reference image
classic chrome

Kodachrome 64 — version 1

Fuji X Weekly

  • Street & travel
  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
2
WB blue
-5
Highlight
0
Shadow
0
Color
2
Sharpness
1
Noise reduction
-4
Grain
weak

Exposure tip: 0 to +2/3

Source notes and additional settings: Clarity +3; grain size Small; Color Chrome Effect Strong; Color Chrome FX Blue Weak.

See source camera.

Source & photos ↗
Reference image for Velvia 2
Photo: Ritchie Roesch / Fuji X Weekly ↗Reference image
Not specified

Velvia 2

Fuji X Weekly

  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
Not specified
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
Not specified
Shadow
Not specified
Color
Not specified
Sharpness
Not specified
Noise reduction
Not specified
Grain
Not specified
  • Film simulation: not specified
  • Dynamic range: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Highlight: not specified
  • Shadow: not specified
  • Color: not specified
  • Sharpness: not specified
  • Noise reduction: not specified
  • Grain: not specified

See source camera.

Source & photos ↗
Reference image for Portra 160
Photo: Ritchie Roesch / Fuji X Weekly ↗Reference image
Not specified

Portra 160

Fuji X Weekly

  • Portraits
  • Natural
  • Daylight

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
Not specified
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
Not specified
Shadow
Not specified
Color
Not specified
Sharpness
Not specified
Noise reduction
Not specified
Grain
Not specified
  • Film simulation: not specified
  • Dynamic range: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Highlight: not specified
  • Shadow: not specified
  • Color: not specified
  • Sharpness: not specified
  • Noise reduction: not specified
  • Grain: not specified

See source camera.

Source & photos ↗
Reference image for AGFA Ultra 100
Photo: Ritchie Roesch / Fuji X Weekly ↗Reference image
Not specified

AGFA Ultra 100

Fuji X Weekly

  • Street & travel
  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
Not specified
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
Not specified
Shadow
Not specified
Color
Not specified
Sharpness
Not specified
Noise reduction
Not specified
Grain
Not specified
  • Film simulation: not specified
  • Dynamic range: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Highlight: not specified
  • Shadow: not specified
  • Color: not specified
  • Sharpness: not specified
  • Noise reduction: not specified
  • Grain: not specified

See source camera.

Source & photos ↗
No thumbnail available
classic chrome

Pastel Pop

Source not supplied

  • Everyday
  • Street & travel
  • Vivid

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
Not specified
White balance
daylight
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
-2
Shadow
1
Color
4
Sharpness
Not specified
Noise reduction
-4
Grain
weak
  • Dynamic range: not specified
  • Sharpness: not specified

Source notes and additional settings: Clarity -3; Color Chrome Effect Strong; Color Chrome FX Blue Weak; grain size Small.

See source camera.

Source not supplied
Source photograph for TRI-X 400
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
Acros · choose filter

TRI-X 400

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
Not specified · options: acros std / acros ye / acros r / acros g
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
9
WB blue
-9
Highlight
0
Shadow
3
Color
Not specified
Sharpness
1
Noise reduction
-4
Grain
strong

Exposure tip: +1/3 to +1

  • Film simulation: not specified
  • Color: not specified

Source notes and additional settings: Clarity +4; grain size Large; Color Chrome Effect Strong; Color Chrome FX Blue Off.

X100V / X-T3 / X-T30; X-Trans III adaptation described by author.

Source & photos ↗
Reference image for Portra 400 Warm Summer — pasted version
Photo: Emanuele De Luca / Film Recipes ↗Reference image
classic chrome

Portra 400 Warm Summer — pasted version

film.recipes

  • Street & travel
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
Not specified
White balance
daylight
Kelvin
Not specified
WB red
3
WB blue
-5
Highlight
1
Shadow
-1
Color
2
Sharpness
-2
Noise reduction
-4
Grain
Not specified
  • Dynamic range: not specified
  • Grain: not specified

Source notes and additional settings: Clarity 0.

See source camera.

Source & photos ↗
Source photograph for Vintage Tuscany
Photo: u/nicolaijoshua / Reddit ↗Source-camera sample
classic negative

Vintage Tuscany

www.reddit.com

  • Street & travel
  • Nature
  • Natural
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
Not specified
White balance
daylight
Kelvin
Not specified
WB red
4
WB blue
-4
Highlight
1.5
Shadow
0.5
Color
1
Sharpness
-2
Noise reduction
-4
Grain
weak
  • Film simulation: not supported on X-T2
  • Dynamic range: not specified
  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2

Source notes and additional settings: grain size Small; Color Chrome Effect Weak; Color Chrome FX Blue Off.

See source camera.

Source & photos ↗
No thumbnail available
eterna

CineStill 800T — pasted version

Source not supplied

  • Street & travel
  • Muted
  • Night

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr400
White balance
kelvin
Kelvin
3200
WB red
2
WB blue
-5
Highlight
1
Shadow
-1
Color
2
Sharpness
0
Noise reduction
-4
Grain
Not specified
  • Film simulation: not supported on X-T2
  • Grain: not specified

See source camera.

Source not supplied
No thumbnail available
classic chrome

Kodak Gold 200 — pasted version

www.tiktok.com

  • Everyday
  • Street & travel
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
-1.5
Shadow
-0.5
Color
4
Sharpness
0
Noise reduction
0
Grain
weak

Exposure tip: +2/3 or +1

  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2

Source notes and additional settings: grain size Small; Color Chrome Effect Weak.

See source camera.

Source & photos ↗
Reference image for Kodachrome 64 — version 2
Photo: Ritchie Roesch / Fuji X Weekly ↗Reference image
classic chrome

Kodachrome 64 — version 2

Fuji X Weekly

  • Street & travel
  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
1
Shadow
2
Color
1
Sharpness
1
Noise reduction
-1
Grain
weak

Source notes and additional settings: Color Chrome Effect Weak.

See source camera.

Source & photos ↗
No thumbnail available
classic chrome

Jays Ways / The Golden Ducker

Source not supplied

  • Everyday
  • Portraits
  • Muted

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-5
Highlight
-2
Shadow
-2
Color
2
Sharpness
-1
Noise reduction
-3
Grain
off

Source notes and additional settings: Color Chrome Effect Off; Color Chrome FX Blue Off; D Range Priority Off; Clarity -1.

See source camera.

Source not supplied
Source photograph for Daily Astia
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
astia

Daily Astia

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Nature
  • Natural

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr100
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-4
Highlight
1
Shadow
0
Color
4
Sharpness
-2
Noise reduction
-4
Grain
weak

Source notes and additional settings: Clarity +4; grain size Large; Color Chrome Effect Off; Color Chrome FX Blue Strong.

See source camera.

Source & photos ↗
Source photograph for Nurture Nature
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
provia

Nurture Nature

Ross McConaghy · rossandhisjpegs

  • Nature
  • Everyday
  • Natural

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-4
Highlight
2
Shadow
1
Color
2
Sharpness
0
Noise reduction
-2
Grain
weak

Source notes and additional settings: Clarity 0; grain size Large; Color Chrome Effect Strong; Color Chrome FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Soft Chrome
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic chrome

Soft Chrome

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Muted

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-4
Highlight
0
Shadow
1
Color
3
Sharpness
-4
Noise reduction
-4
Grain
strong

Source notes and additional settings: Clarity 0; grain size Small; Color Chrome Effect Strong; Color Chrome FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Fruit Pastel
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
velvia

Fruit Pastel

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
velvia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
-3
Highlight
0
Shadow
-2
Color
1
Sharpness
-2
Noise reduction
-4
Grain
strong

Source notes and additional settings: Clarity 0; grain size Large; Color Chrome Effect Strong; Color Chrome FX Blue Strong.

See source camera.

Source & photos ↗
Source photograph for Canned Heat
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic negative

Canned Heat

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Muted
  • Golden hour

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
6
WB blue
-7
Highlight
-2
Shadow
1
Color
-2
Sharpness
0
Noise reduction
-4
Grain
weak
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity +5; grain size Large; Color Chrome Effect Weak; Color Chrome FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Lomo 800 Electro
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic chrome

Lomo 800 Electro

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Natural

Reference · check settings

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
1.5
Shadow
1.5
Color
4
Sharpness
-4
Noise reduction
-4
Grain
strong
  • WB red: not specified
  • WB blue: not specified
  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2

Source notes and additional settings: Clarity -4; grain size Large; Color Chrome Effect Weak; Color Chrome FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Balloo Astia
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
astia

Balloo Astia

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Portraits
  • Natural

Reference · check settings

View settings
Film simulation
astia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
-3
Highlight
1.5
Shadow
2.5
Color
-2
Sharpness
-3
Noise reduction
-4
Grain
strong
  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2

Source notes and additional settings: Clarity 0; grain size Small; Color Chrome Effect Strong; Color Chrome FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Oxygen Mono
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
monochrome ye

Oxygen Mono

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
monochrome ye
Dynamic range
auto
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
1
Shadow
2
Color
Not specified
Sharpness
-3
Noise reduction
-4
Grain
strong
  • Color: not specified

Source notes and additional settings: Monochromatic Color WC+1 MG0; Clarity 0; grain size Large; Color Chrome Effect Strong; Color Chrome FX Blue Strong.

See source camera.

Source & photos ↗
No thumbnail available
classic chrome

Unnamed Classic Chrome recipe

Source not supplied

  • Everyday
  • Street & travel
  • Natural

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-5
Highlight
1
Shadow
-2
Color
3
Sharpness
1
Noise reduction
-4
Grain
off

Exposure tip: +1 1/3

See source camera.

Source not supplied
Source photograph for Life, Unintended — Colour (X-Trans III)
Photo: Luís Costa ↗Source-camera sample
classic chrome

Life, Unintended — Colour (X-Trans III)

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Vivid

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
1
Shadow
1
Color
3
Sharpness
0
Noise reduction
-4
Grain
off

Exposure tip: +1/3 to +2/3

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Black & white
Photo: Luís Costa ↗Source-camera sample
acros r

Life, Unintended — Black & white

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
3
Shadow
4
Color
Not specified
Sharpness
-1
Noise reduction
-4
Grain
off

Exposure tip: +1/3 to +2/3

  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Color: not specified

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Colour (X-Trans IV)
Photo: Luís Costa ↗Source-camera sample
classic negative

Life, Unintended — Colour (X-Trans IV)

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Vivid

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-4
Highlight
1
Shadow
0
Color
3
Sharpness
0
Noise reduction
-4
Grain
strong

Exposure tip: +1/3 to +1

  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity 0; grain size Large; Color Chrome Effect Off; Color Chrome FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Colour (X-Trans I)
Photo: Luís Costa ↗Source-camera sample
astia

Life, Unintended — Colour (X-Trans I)

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Vivid

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
1
Shadow
1
Color
-2
Sharpness
0
Noise reduction
-2
Grain
Not specified

Exposure tip: +1/3 to +2/3

  • Grain: not specified

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Classic Neg Fade
Photo: Luís Costa ↗Source-camera sample
classic negative

Life, Unintended — Classic Neg Fade

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-5
Highlight
-1
Shadow
-1
Color
-1
Sharpness
-4
Noise reduction
-4
Grain
strong

Exposure tip: usually between +2/3 and +1, adjust as necessary

  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity 0; grain size Small; Color Chrome Strong; FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — C1 Classic Neg
Photo: Luís Costa ↗Source-camera sample
classic negative

Life, Unintended — C1 Classic Neg

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
-8
Highlight
-1
Shadow
-2
Color
-2
Sharpness
-4
Noise reduction
-4
Grain
weak

Exposure tip: usually between +1/3 and +2/3, adjust as necessary

  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity 0; grain size Small; Color Chrome Strong; FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Soft Chrome
Photo: Luís Costa ↗Source-camera sample
classic chrome

Life, Unintended — Soft Chrome

Luís Costa · Life, Unintended

  • Everyday
  • Portraits
  • Natural

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
-4
Highlight
2
Shadow
0
Color
0
Sharpness
0
Noise reduction
-4
Grain
weak

Exposure tip: usually between +1/3 and +1, adjust as desired

Source notes and additional settings: Clarity -2; grain size Small; Color Chrome Weak; FX Blue Weak.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Moody Chrome
Photo: Luís Costa ↗Source-camera sample
classic chrome

Life, Unintended — Moody Chrome

Luís Costa · Life, Unintended

  • Street & travel
  • Muted
  • Overcast

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
-4
WB blue
-5
Highlight
2
Shadow
0
Color
4
Sharpness
-2
Noise reduction
-4
Grain
strong

Exposure tip: -1/3, adjust as necessary

Source notes and additional settings: Clarity -2; grain size Large; Color Chrome Strong; FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Big Negative
Photo: Luís Costa ↗Source-camera sample
classic negative

Life, Unintended — Big Negative

Luís Costa · Life, Unintended

  • Street & travel
  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
-2
WB blue
-5
Highlight
-2
Shadow
0
Color
3
Sharpness
0
Noise reduction
-4
Grain
strong

Exposure tip: between +1 and +1 2/3, adjust as needed to keep the image bright

  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity -3; grain size Large; Color Chrome Weak; FX Blue Strong.

See source camera.

Source & photos ↗Video ↗
Source photograph for Life, Unintended — Tri-X Pushed
Photo: Luís Costa ↗Source-camera sample
acros r

Life, Unintended — Tri-X Pushed

Luís Costa · Life, Unintended

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
3
Shadow
4
Color
0
Sharpness
-1
Noise reduction
-4
Grain
off

Exposure tip: Between +1/3 and +2/3

  • White balance: not specified

Source notes and additional settings: Clarity 0; grain size Off; Color Chrome Off; FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Colored B&W
Photo: Luís Costa ↗Source-camera sample
acros g

Life, Unintended — Colored B&W

Luís Costa · Life, Unintended

  • Everyday
  • Portraits
  • Black & white

X-T2 settings available

View settings
Film simulation
acros g
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
2
Shadow
1
Color
0
Sharpness
0
Noise reduction
-4
Grain
strong

Exposure tip: +1/3 as base, adjust as necessary

  • White balance: not specified

Source notes and additional settings: Monochromatic Color WC+2 MG+2; Clarity +2; grain size Large; Color Chrome Strong; FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Nostalgic B&W
Photo: Luís Costa ↗Source-camera sample
acros std

Life, Unintended — Nostalgic B&W

Luís Costa · Life, Unintended

  • Everyday
  • Portraits
  • Black & white

X-T2 settings available

View settings
Film simulation
acros std
Dynamic range
dr400
White balance
Not specified
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
2
Shadow
1
Color
0
Sharpness
-2
Noise reduction
-4
Grain
strong

Exposure tip: +1/3 as base, adjust as necessary

  • White balance: not specified

Source notes and additional settings: Monochromatic Color WC+1 MG-1; Clarity 0; grain size Large; Color Chrome Effect Off; Color Chrome FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Life, Unintended — Portuguese Summer
Photo: Luís Costa ↗Source-camera sample
classic chrome

Life, Unintended — Portuguese Summer

Luís Costa · Life, Unintended

  • Street & travel
  • Nature
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-1
Highlight
0
Shadow
-1
Color
0
Sharpness
-1
Noise reduction
-4
Grain
strong

Exposure tip: usually between +1/3 and +2/3, adjust as necessary

Source notes and additional settings: Clarity -3; grain size Small; Color Chrome Effect Weak; Color Chrome FX Blue Off.

See source camera.

Source & photos ↗
Source photograph for Fuji X Weekly — Velvia
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
velvia

Fuji X Weekly — Velvia

Fuji X Weekly

  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
velvia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
-1
Highlight
-1
Shadow
0
Color
2
Sharpness
2
Noise reduction
-2
Grain
weak

Exposure tip: +2/3 (typically)

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Astia
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
astia

Fuji X Weekly — Astia

Fuji X Weekly

  • Everyday
  • Portraits
  • Natural

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
-1
Shadow
-2
Color
1
Sharpness
1
Noise reduction
-3
Grain
weak

Exposure tip: +1/3 (typically)

  • WB red: not specified
  • WB blue: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Provia Slide
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
provia

Fuji X Weekly — Provia Slide

Fuji X Weekly

  • Street & travel
  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr200
White balance
fluorescent 3
Kelvin
Not specified
WB red
-1
WB blue
-8
Highlight
-1
Shadow
1
Color
3
Sharpness
-1
Noise reduction
-4
Grain
weak

Exposure tip: +1/3 to +2/3 (typically)

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Vintage Kodacolor
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Vintage Kodacolor

Fuji X Weekly

  • Street & travel
  • Muted
  • Daylight
  • Golden hour

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
kelvin
Kelvin
9100
WB red
-4
WB blue
4
Highlight
2
Shadow
0
Color
-4
Sharpness
-1
Noise reduction
-4
Grain
strong

Exposure tip: -1/3 to +1/3

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Mystery Chrome
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Mystery Chrome

Fuji X Weekly

  • Everyday
  • Street & travel
  • Natural

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
3
WB blue
-5
Highlight
3
Shadow
4
Color
0
Sharpness
-4
Noise reduction
4
Grain
strong

Exposure tip: +1/3 to +2/3 (typically)

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — PRO Neg. Hi
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
pro neg hi

Fuji X Weekly — PRO Neg. Hi

Fuji X Weekly

  • Portraits
  • Everyday
  • Natural

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
-1
Shadow
-1
Color
1
Sharpness
1
Noise reduction
-3
Grain
weak

Exposure tip: +1/3 to +2/3 (typically)

  • WB red: not specified
  • WB blue: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Box Speed
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Box Speed

Fuji X Weekly

  • Portraits
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
0
Shadow
0
Color
0
Sharpness
-3
Noise reduction
-4
Grain
weak

Exposure tip: 0 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Pulled -1
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Pulled -1

Fuji X Weekly

  • Portraits
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-1
Shadow
-1
Color
0
Sharpness
-3
Noise reduction
-4
Grain
weak

Exposure tip: 0 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Pulled -2
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Pulled -2

Fuji X Weekly

  • Portraits
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-2
Shadow
-1
Color
-1
Sharpness
-3
Noise reduction
-4
Grain
weak

Exposure tip: 0 to +1 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Pushed +1
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Pushed +1

Fuji X Weekly

  • Portraits
  • Natural
  • Overcast

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
1
Shadow
0
Color
0
Sharpness
-3
Noise reduction
-4
Grain
weak

Exposure tip: 0 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Pushed +2
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Pushed +2

Fuji X Weekly

  • Portraits
  • Natural
  • Overcast

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
2
Shadow
0
Color
1
Sharpness
-3
Noise reduction
-4
Grain
weak

Exposure tip: -1/3 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Pushed +3
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Pushed +3

Fuji X Weekly

  • Portraits
  • Natural
  • Overcast

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
2
Shadow
1
Color
2
Sharpness
-3
Noise reduction
-4
Grain
weak

Exposure tip: -1/3 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Fujicolor Pro 160NS Pushed +4
Photo: Anders Lindborg (recipe); Ritchie Roesch / Fuji X Weekly (photos) ↗Source-camera sample
pro neg hi

Fuji X Weekly — Fujicolor Pro 160NS Pushed +4

Fuji X Weekly

  • Portraits
  • Natural
  • Overcast

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
3
Shadow
2
Color
3
Sharpness
-4
Noise reduction
-4
Grain
weak

Exposure tip: -1/3 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — CineStill 800T
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
pro neg std

Fuji X Weekly — CineStill 800T

Fuji X Weekly

  • Street & travel
  • Muted
  • Night

Reference · check settings

View settings
Film simulation
pro neg std
Dynamic range
dr200
White balance
kelvin
Kelvin
3200
WB red
Not specified
WB blue
Not specified
Highlight
+3 (+2 when there is a bright light source in the image)
Shadow
1
Color
-1
Sharpness
1
Noise reduction
-3
Grain
strong

Exposure tip: 0 to +1/3 (typically)

  • WB red: not specified
  • WB blue: not specified
  • Highlight: not supported on X-T2

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Kodak Portra 400
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Kodak Portra 400

Fuji X Weekly

  • Portraits
  • Everyday
  • Natural

Reference · check settings

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
Custom
Kelvin
Not specified
WB red
2
WB blue
-5
Highlight
-1
Shadow
2
Color
-2
Sharpness
1
Noise reduction
-3
Grain
strong

Exposure tip: +1 to +1-1/3 (typically)

  • White balance: not supported on X-T2

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Kodachrome II
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Kodachrome II

Fuji X Weekly

  • Street & travel
  • Everyday
  • Natural

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
-4
Highlight
1
Shadow
2
Color
-1
Sharpness
1
Noise reduction
-3
Grain
weak

Exposure tip: +1/3 to +2/3 (typically)

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Melancholy Blue
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Melancholy Blue

Fuji X Weekly

  • Nature
  • Street & travel
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
incandescent
Kelvin
Not specified
WB red
4
WB blue
-9
Highlight
3
Shadow
-1
Color
-2
Sharpness
-1
Noise reduction
-4
Grain
weak

Exposure tip: -1/3 to -1 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Aged Color
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
pro neg std

Fuji X Weekly — Aged Color

Fuji X Weekly

  • Street & travel
  • Nature
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg std
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
5
WB blue
-3
Highlight
2
Shadow
3
Color
4
Sharpness
0
Noise reduction
-3
Grain
strong

Exposure tip: +1/3 (typically)

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Ektachrome E100GX
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Ektachrome E100GX

Fuji X Weekly

  • Street & travel
  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
fluorescent 2
Kelvin
Not specified
WB red
-1
WB blue
-6
Highlight
-2
Shadow
2
Color
4
Sharpness
-2
Noise reduction
-4
Grain
weak

Exposure tip: +1/3 to +1

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — “Classic Negative”
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
pro neg std

Fuji X Weekly — “Classic Negative”

Fuji X Weekly

  • Everyday
  • Street & travel
  • Natural

X-T2 settings available

View settings
Film simulation
pro neg std
Dynamic range
dr400
White balance
kelvin
Kelvin
6700
WB red
-2
WB blue
7
Highlight
3
Shadow
2
Color
-3
Sharpness
1
Noise reduction
-4
Grain
weak

Exposure tip: -1/3 to +1/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Kodak Ultramax
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Kodak Ultramax

Fuji X Weekly

  • Everyday
  • Street & travel
  • Vivid

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
-6
Highlight
2
Shadow
2
Color
4
Sharpness
2
Noise reduction
-4
Grain
strong

Exposure tip: +1/3 to +1 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Cine Teal
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
pro neg std

Fuji X Weekly — Cine Teal

Fuji X Weekly

  • Street & travel
  • Nature
  • Muted

X-T2 settings available

View settings
Film simulation
pro neg std
Dynamic range
dr400
White balance
kelvin
Kelvin
4500
WB red
2
WB blue
-8
Highlight
-1
Shadow
3
Color
-3
Sharpness
-1
Noise reduction
-3
Grain
weak

Exposure tip: +2/3 to +1 (typically)

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Acros
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
Not specified

Fuji X Weekly — Acros

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
2
Shadow
2
Color
Not specified
Sharpness
2
Noise reduction
-2
Grain
off

Exposure tip: +1 (typically)

  • Film simulation: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Acros Push Process
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
Not specified

Fuji X Weekly — Acros Push Process

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
4
Shadow
3
Color
Not specified
Sharpness
1
Noise reduction
-3
Grain
strong

Exposure tip: +1 (typically)

  • Film simulation: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Agfa Scala
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
Not specified

Fuji X Weekly — Agfa Scala

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
dr100
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
4
Shadow
0
Color
Not specified
Sharpness
0
Noise reduction
-3
Grain
weak

Exposure tip: -1/3 to +1/3 (typically)

  • Film simulation: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Ilford HP5 Plus
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
Not specified

Fuji X Weekly — Ilford HP5 Plus

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
4
Shadow
2
Color
Not specified
Sharpness
0
Noise reduction
-3
Grain
strong

Exposure tip: 0 (typically)

  • Film simulation: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Ilford XP2 Super 400
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
acros r

Fuji X Weekly — Ilford XP2 Super 400

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
dr400
White balance
kelvin
Kelvin
10000
WB red
7
WB blue
7
Highlight
-1
Shadow
4
Color
Not specified
Sharpness
-2
Noise reduction
-4
Grain
strong

Exposure tip: -2/3 to +2/3 (typically)

  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Analog Monochrome
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
acros g

Fuji X Weekly — Analog Monochrome

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros g
Dynamic range
dr400
White balance
incandescent
Kelvin
Not specified
WB red
-8
WB blue
-8
Highlight
1
Shadow
3
Color
Not specified
Sharpness
-1
Noise reduction
-4
Grain
weak

Exposure tip: +1/3 to +2/3 (typically)

  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Kodak Tri-X Push Process
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
Not specified

Fuji X Weekly — Kodak Tri-X Push Process

Fuji X Weekly

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
Not specified
Dynamic range
dr200
White balance
Not specified
Kelvin
Not specified
WB red
Not specified
WB blue
Not specified
Highlight
3
Shadow
4
Color
Not specified
Sharpness
-1
Noise reduction
-4
Grain
off

Exposure tip: +1/3 to +2/3 (typically)

  • Film simulation: not specified
  • White balance: not specified
  • WB red: not specified
  • WB blue: not specified
  • Color: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Classic Kodak Chrome (X-Trans II)
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
classic chrome

Fuji X Weekly — Classic Kodak Chrome (X-Trans II)

Fuji X Weekly

  • Everyday
  • Street & travel
  • Natural

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-2
Highlight
-1
Shadow
0
Color
1
Sharpness
0
Noise reduction
-2
Grain
Not specified

Exposure tip: 0 to +2/3 (typically)

  • Grain: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Kodak Portra 160 (X-Trans II)
Photo: Piotr Skrzypek (original recipe); Ritchie Roesch / Fuji X Weekly (published variation and photos) ↗Source-camera sample
classic chrome

Fuji X Weekly — Kodak Portra 160 (X-Trans II)

Fuji X Weekly

  • Portraits
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
auto
White balance
daylight
Kelvin
Not specified
WB red
3
WB blue
-4
Highlight
-2
Shadow
-2
Color
1
Sharpness
-2
Noise reduction
-2
Grain
Not specified
  • Grain: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Pro Film (X-Trans II)
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
pro neg hi

Fuji X Weekly — Pro Film (X-Trans II)

Fuji X Weekly

  • Portraits
  • Everyday
  • Natural

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr200
White balance
underwater
Kelvin
Not specified
WB red
0
WB blue
-2
Highlight
-1
Shadow
-2
Color
2
Sharpness
-1
Noise reduction
-2
Grain
Not specified

Exposure tip: -1/3 to +1/3 (typically)

  • Grain: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Fuji X Weekly — Monochrome Red (X-Trans II)
Photo: Ritchie Roesch / Fuji X Weekly ↗Source-camera sample
monochrome r

Fuji X Weekly — Monochrome Red (X-Trans II)

Fuji X Weekly

  • Nature
  • Street & travel
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
monochrome r
Dynamic range
dr400
White balance
fluorescent 1
Kelvin
Not specified
WB red
-4
WB blue
7
Highlight
-1
Shadow
2
Color
Not specified
Sharpness
1
Noise reduction
-2
Grain
Not specified

Exposure tip: 0 to +1 (typically)

  • Color: not specified
  • Grain: not specified

X-Trans II reference.

Source & photos ↗
Source photograph for Ross — Sunny Jim
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
astia

Ross — Sunny Jim

Ross McConaghy · rossandhisjpegs

  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
5
WB blue
-3
Highlight
2
Shadow
2
Color
0
Sharpness
-3
Noise reduction
-4
Grain
weak

Source notes and additional settings: Clarity: 0; Color Chrome Effect: Weak; Color Chrome Effect Blue: Weak.

See source camera.

Source & photos ↗
Source photograph for Ross — Contrast Chrome
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic chrome

Ross — Contrast Chrome

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Vivid

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-4
Highlight
2
Shadow
2
Color
4
Sharpness
0
Noise reduction
-4
Grain
weak

Source notes and additional settings: Clarity: 0; Color Chrome Effect: Weak; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Negs On Toast
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic negative

Ross — Negs On Toast

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Nature
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
7
WB blue
-7
Highlight
0
Shadow
3
Color
-2
Sharpness
-2
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity: 0; Color Chrome Effect: Strong; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗
Source photograph for Ross — B&W 3200 (X100 Recipe)
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
monochrome ye

Ross — B&W 3200 (X100 Recipe)

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
monochrome ye
Dynamic range
dr100
White balance
auto
Kelvin
Not specified
WB red
9
WB blue
-9
Highlight
MEDIUM HARD
Shadow
HARD
Color
MID
Sharpness
STD
Noise reduction
LOW
Grain
Not specified
  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2
  • Color: not supported on X-T2
  • Sharpness: not supported on X-T2
  • Noise reduction: not supported on X-T2
  • Grain: not specified

See source camera.

Source & photos ↗
Source photograph for Ross — Salted Slate
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
acros g

Ross — Salted Slate

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Black & white

Reference · check settings

View settings
Film simulation
acros g
Dynamic range
dr100
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
3
Highlight
1.5
Shadow
4
Color
Not specified
Sharpness
0
Noise reduction
-4
Grain
strong

Exposure tip: -1/3 or -2/3 to darken the look and protect highlights

  • Highlight: not supported on X-T2
  • Color: not specified

Source notes and additional settings: Clarity: 0; Color Chrome Effect: Off; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗
Source photograph for Ross — Pumpkin Soup
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
nostalgic negative

Ross — Pumpkin Soup

Ross McConaghy · rossandhisjpegs

  • Nature
  • Vivid
  • Daylight
  • Golden hour

Reference · check settings

View settings
Film simulation
nostalgic negative
Dynamic range
dr200
White balance
underwater
Kelvin
Not specified
WB red
3
WB blue
-5
Highlight
-1
Shadow
4
Color
2
Sharpness
0
Noise reduction
-3
Grain
weak
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity: +5; Color Chrome Effect: Off; Color Chrome Effect Blue: Weak.

See source camera.

Source & photos ↗
Source photograph for Ross — Sherbet Lemon
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
velvia

Ross — Sherbet Lemon

Ross McConaghy · rossandhisjpegs

  • Nature
  • Street & travel
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
velvia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
-4
Highlight
-1.5
Shadow
1.5
Color
3
Sharpness
2
Noise reduction
-4
Grain
strong
  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2

Source notes and additional settings: Clarity: -3; Color Chrome Effect: Weak; Color Chrome Effect Blue: Weak.

See source camera.

Source & photos ↗
Source photograph for Ross — Ultramax Electro
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
provia

Ross — Ultramax Electro

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Everyday
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
1
WB blue
-4
Highlight
-2
Shadow
1
Color
3
Sharpness
-3
Noise reduction
-4
Grain
strong

Source notes and additional settings: Clarity: +4; Color Chrome Effect: Strong; Color Chrome Effect Blue: OFF.

See source camera.

Source & photos ↗
Source photograph for Ross — XP2 Electro
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
acros r

Ross — XP2 Electro

Ross McConaghy · rossandhisjpegs

  • Nature
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
9
WB blue
0
Highlight
-1
Shadow
3
Color
Not specified
Sharpness
2
Noise reduction
-4
Grain
weak
  • Color: not specified

Source notes and additional settings: Clarity: 0; Color Chrome Effect: OFF; Color Chrome Effect Blue: OFF.

See source camera.

Source & photos ↗
Source photograph for Ross — Fujipop Trio 3
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
pro neg hi

Ross — Fujipop Trio 3

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Portraits
  • Natural
  • Daylight

Reference · check settings

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
kelvin
Kelvin
5500
WB red
4
WB blue
-4
Highlight
-0.5
Shadow
1
Color
2
Sharpness
-4
Noise reduction
-4
Grain
strong
  • Kelvin: not supported on X-T2
  • Highlight: not supported on X-T2

Source notes and additional settings: Clarity: -5; Color Chrome Effect: Off; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Fujipop Trio 2
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic chrome

Ross — Fujipop Trio 2

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
kelvin
Kelvin
5500
WB red
1
WB blue
-3
Highlight
-0.5
Shadow
1
Color
4
Sharpness
-4
Noise reduction
-4
Grain
strong
  • Kelvin: not supported on X-T2
  • Highlight: not supported on X-T2

Source notes and additional settings: Clarity: -5; Color Chrome Effect: Weak; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Fujipop Trio 1
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic negative

Ross — Fujipop Trio 1

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
kelvin
Kelvin
5500
WB red
-1
WB blue
-3
Highlight
-1.5
Shadow
1
Color
3
Sharpness
-4
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2
  • Kelvin: not supported on X-T2
  • Highlight: not supported on X-T2

Source notes and additional settings: Clarity: -5; Color Chrome Effect: Strong; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Chrome Fog
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic chrome

Ross — Chrome Fog

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Vivid

Reference · check settings

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-3
Highlight
1
Shadow
2.5
Color
4
Sharpness
0
Noise reduction
-3
Grain
weak
  • Shadow: not supported on X-T2

Source notes and additional settings: Clarity: -5; Color Chrome Effect: Off; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗
Source photograph for Ross — Ross’s Ultimate X100 Recipe
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
astia

Ross — Ross’s Ultimate X100 Recipe

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Vivid

Reference · check settings

View settings
Film simulation
astia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-3
Highlight
Medium Hard
Shadow
Medium Hard
Color
High (I might turn this down in future)
Sharpness
Medium Soft (I might turn this up in future)
Noise reduction
Low
Grain
Not specified
  • Highlight: not supported on X-T2
  • Shadow: not supported on X-T2
  • Color: not supported on X-T2
  • Sharpness: not supported on X-T2
  • Noise reduction: not supported on X-T2
  • Grain: not specified

See source camera.

Source & photos ↗
Source photograph for Ross — Bonsai Green
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
nostalgic negative

Ross — Bonsai Green

Ross McConaghy · rossandhisjpegs

  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
nostalgic negative
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
-5
Highlight
1
Shadow
4
Color
3
Sharpness
-4
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity: +4; Color Chrome Effect: Strong; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Cloud Ultra
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
astia

Ross — Cloud Ultra

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Nature
  • Vivid
  • Overcast

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr100
White balance
kelvin
Kelvin
6700
WB red
4
WB blue
4
Highlight
0
Shadow
3
Color
4
Sharpness
0
Noise reduction
-4
Grain
strong

Source notes and additional settings: Clarity: 0; Color Chrome Effect: Strong; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Rust Roamer
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic negative

Ross — Rust Roamer

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
4
WB blue
-6
Highlight
-2
Shadow
2
Color
-2
Sharpness
-2
Noise reduction
-2
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity: -2; Color Chrome Effect: Weak; Color Chrome Effect Blue: Weak.

See source camera.

Source & photos ↗
Source photograph for Ross — Blue City
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic negative

Ross — Blue City

Ross McConaghy · rossandhisjpegs

  • Street & travel
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
kelvin
Kelvin
4300
WB red
3
WB blue
-5
Highlight
0
Shadow
3
Color
3
Sharpness
-3
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity: +3; Color Chrome Effect: Off; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗
Source photograph for Ross — Black Slap
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
acros r

Ross — Black Slap

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
dr100
White balance
kelvin
Kelvin
2500
WB red
0
WB blue
-9
Highlight
4
Shadow
4
Color
Not specified
Sharpness
0
Noise reduction
-4
Grain
strong
  • Color: not specified

Source notes and additional settings: Clarity: -2; Color Chrome Effect: Strong; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗
Source photograph for Ross — Peach Fade
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic negative

Ross — Peach Fade

Ross McConaghy · rossandhisjpegs

  • Nature
  • Street & travel
  • Muted
  • Golden hour

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
fluorescent 3
Kelvin
Not specified
WB red
7
WB blue
-9
Highlight
-2
Shadow
2
Color
2
Sharpness
-4
Noise reduction
-2
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Clarity: -4; Color Chrome Effect: Off; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗
Source photograph for Ross — Jurassic Jade
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
astia

Ross — Jurassic Jade

Ross McConaghy · rossandhisjpegs

  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr200
White balance
fluorescent 1
Kelvin
Not specified
WB red
-6
WB blue
-3
Highlight
2
Shadow
3
Color
1
Sharpness
0
Noise reduction
-4
Grain
weak

Source notes and additional settings: Clarity: -2; Color Chrome Effect: Strong; Color Chrome Effect Blue: Off.

See source camera.

Source & photos ↗
Source photograph for Ross — Crisp Chrome
Photo: Ross McConaghy / rossandhisjpegs ↗Source-camera sample
classic chrome

Ross — Crisp Chrome

Ross McConaghy · rossandhisjpegs

  • Everyday
  • Street & travel
  • Vivid

Reference · check settings

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-4
Highlight
0.5
Shadow
2
Color
4
Sharpness
0
Noise reduction
-4
Grain
strong
  • Highlight: not supported on X-T2

Source notes and additional settings: Clarity: +2; Color Chrome Effect: Strong; Color Chrome Effect Blue: Weak.

See source camera.

Source & photos ↗
Source photograph for ShutterGroove — Kodak Portra 400
Photo: ShutterGroove / IvanYolo ↗Source-camera sample
classic chrome

ShutterGroove — Kodak Portra 400

ShutterGroove / IvanYolo · recipes credited to Fuji X Weekly

  • Portraits
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
auto
White balance
daylight
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
-1
Shadow
-1
Color
2
Sharpness
-2
Noise reduction
-4
Grain
strong

Exposure tip: +2/3 to +1 (typically)

Source notes and additional settings: Color Chrome Effect: Strong.

See source camera.

Source & photos ↗
Reference image for ShutterGroove — Kodacolor
Photo: ShutterGroove / IvanYolo ↗Reference image
classic chrome

ShutterGroove — Kodacolor

ShutterGroove / IvanYolo · recipes credited to Fuji X Weekly

  • Portraits
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
kelvin
Kelvin
6300
WB red
-1
WB blue
-4
Highlight
-1
Shadow
2
Color
-2
Sharpness
2
Noise reduction
-4
Grain
strong

Exposure tip: +2/3 to + 1-1/3 (typically)

Source notes and additional settings: Color Chrome Effect: Off.

See source camera.

Source & photos ↗
Source photograph for ShutterGroove — Kodacolor II 126
Photo: ShutterGroove / IvanYolo ↗Source-camera sample
classic chrome

ShutterGroove — Kodacolor II 126

ShutterGroove / IvanYolo · recipes credited to Fuji X Weekly

  • Portraits
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
kelvin
Kelvin
6300
WB red
6
WB blue
3
Highlight
-1
Shadow
3
Color
-4
Sharpness
-4
Noise reduction
-4
Grain
strong

Exposure tip: 0 to +2/3 (typically)

Source notes and additional settings: Color Chrome Effect: Strong.

See source camera.

Source & photos ↗
Reference image for ShutterGroove — Nostalgic Negative
Photo: Scott Dawson ↗Reference image
classic chrome

ShutterGroove — Nostalgic Negative

ShutterGroove / IvanYolo · recipes credited to Fuji X Weekly

  • Portraits
  • Everyday
  • Vivid

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
3
WB blue
-5
Highlight
-1
Shadow
0
Color
4
Sharpness
0
Noise reduction
-4
Grain
weak

Exposure tip: +1/3 to +1 (typically)

Source notes and additional settings: Clarity: -5; Color Chrome Effect: Strong; Color Chrome Effect Blue: Strong.

See source camera.

Source & photos ↗Video ↗
Source photograph for Roman Fox — Muted (X-T2 reference)
Photo: Roman Fox / snapsbyfox ↗Source-camera sample
classic chrome

Roman Fox — Muted (X-T2 reference)

Roman Fox · snapsbyfox

  • Street & travel
  • Everyday
  • Muted

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
-1
Highlight
2
Shadow
1
Color
4
Sharpness
-2
Noise reduction
Not specified
Grain
strong

Exposure tip: 0 as the starting point; adjust for the scene

  • Noise reduction: not specified

Source notes and additional settings: Mono Colour - NA; Colour Chrome - STRONG; Colour Chrome FX - STRONG; Smooth Skin - OFF; D Range Priority - OFF; Clarity - -2.

X-T5 source.

Source & photos ↗
Source photograph for Roman Fox — B&W (X-T2 reference)
Photo: Roman Fox / snapsbyfox ↗Source-camera sample
acros std

Roman Fox — B&W (X-T2 reference)

Roman Fox · snapsbyfox

  • Street & travel
  • Everyday
  • Black & white

X-T2 settings available

View settings
Film simulation
acros std
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
2
Shadow
3
Color
Not specified
Sharpness
-4
Noise reduction
Not specified
Grain
strong

Exposure tip: 0 as the starting point; adjust for the scene

  • Color: not specified
  • Noise reduction: not specified

Source notes and additional settings: Mono Colour - WC+2 MG0; Colour Chrome - OFF; Colour Chrome FX - OFF; Smooth Skin - OFF; D Range Priority - OFF; Clarity - -3.

X-T5 source.

Source & photos ↗
Source photograph for Kodachrome 64 — HastVale
Photo: u/HastVale / Reddit ↗Source-camera sample
classic chrome

Kodachrome 64 — HastVale

u/HastVale

  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
daylight
Kelvin
Not specified
WB red
2
WB blue
-5
Highlight
1
Shadow
1
Color
3
Sharpness
2 · options: 2 / 1
Noise reduction
-4
Grain
weak

Fujifilm X-T2.

Source & photos ↗
Source photograph for Bright Gold
Photo: u/HastVale / Reddit ↗Source-camera sample
classic chrome

Bright Gold

u/HastVale

  • Nature
  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
daylight
Kelvin
Not specified
WB red
4
WB blue
-6
Highlight
-2
Shadow
0 · options: 0 / -1
Color
Not specified
Sharpness
-2
Noise reduction
-4
Grain
strong
  • Color: not specified

Fujifilm X-T2.

Source & photos ↗
Source photograph for Leica Emulation
Photo: u/HastVale / Reddit ↗Source-camera sample
pro neg hi

Leica Emulation

u/HastVale

  • Portraits
  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-2
Highlight
0
Shadow
2
Color
3
Sharpness
1
Noise reduction
-4
Grain
weak · options: weak / off

Fujifilm X-T2.

Source & photos ↗
Source photograph for Padilla
Photo: u/HastVale / Reddit ↗Source-camera sample
monochrome r

Padilla

Original creator unknown; shared by u/HastVale

  • Street & travel
  • Portraits
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
monochrome r
Dynamic range
Not specified
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-1
Shadow
3
Color
Not specified
Sharpness
1
Noise reduction
0
Grain
strong
  • Dynamic range: not specified
  • Color: not specified

Fujifilm X-T2.

Source & photos ↗
Source photograph for Classic Cuban Negative
Photo: Osan Bilgi ↗Source-camera sample
classic negative

Classic Cuban Negative

Osan Bilgi

  • Street & travel
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
-2
Shadow
1
Color
4
Sharpness
0
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2); Color Chrome FX Blue Strong (not available on X-T2); Clarity -4 (not available on X-T2); Auto ISO 500–6400; Grain size Large (not available on X-T2).

Newer Fujifilm camera; model not specified.

Source & photos ↗
Source photograph for CubanAce
Photo: Osan Bilgi ↗Source-camera sample
reala ace

CubanAce

Osan Bilgi

  • Street & travel
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
reala ace
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-5
Highlight
-2
Shadow
1.5
Color
1
Sharpness
0
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2
  • Shadow: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2); Color Chrome FX Blue Strong (not available on X-T2); Clarity -4 (not available on X-T2); Auto ISO 500–6400; Grain size Large (not available on X-T2).

Newer Fujifilm camera; model not specified.

Source & photos ↗
Source photograph for Summer Chrome
Photo: Osan Bilgi ↗Source-camera sample
classic chrome

Summer Chrome

Osan Bilgi

  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
5
WB blue
-6
Highlight
-2
Shadow
-2
Color
4
Sharpness
0
Noise reduction
-4
Grain
strong

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2); Color Chrome FX Blue Strong (not available on X-T2); Clarity -4 (not available on X-T2); Auto ISO 500–6400; Grain size Large (not available on X-T2); Source shadow notation: -2 (+0.5). Primary -2 retained; the additional +0.5 is not an X-T2 tone value..

Newer Fujifilm camera; model not specified.

Source & photos ↗
Source photograph for Vibrant Astia Soft
Photo: Osan Bilgi ↗Source-camera sample
astia

Vibrant Astia Soft

Osan Bilgi

  • Portraits
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
astia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-2
Highlight
-2
Shadow
1
Color
1
Sharpness
-2
Noise reduction
-4
Grain
strong

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2); Color Chrome FX Blue Weak (not available on X-T2); Clarity -4 (not available on X-T2); Auto ISO 500–6400; Grain size Large (not available on X-T2).

Newer Fujifilm camera; model not specified.

Source & photos ↗
Source photograph for Alpine Negative
Photo: Osan Bilgi ↗Source-camera sample
classic negative

Alpine Negative

Osan Bilgi

  • Nature
  • Vivid
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
-4
Highlight
-2
Shadow
1
Color
4
Sharpness
0
Noise reduction
-4
Grain
off
  • Film simulation: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Off (not available on X-T2); Color Chrome FX Blue Strong (not available on X-T2); Clarity -3 (not available on X-T2); Auto ISO 500–6400.

Newer Fujifilm camera; model not specified.

Source & photos ↗
Source photograph for MGA Classic Pro
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
pro neg std

MGA Classic Pro

Mark G Adams / One Camera One Lens

  • Everyday
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg std
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
1
Highlight
-2
Shadow
-1
Color
3
Sharpness
2
Noise reduction
0
Grain
off

Exposure tip: 0

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Velvia Colour Plus
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
velvia

MGA Velvia Colour Plus

Mark G Adams / One Camera One Lens

  • Nature
  • Portraits
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
velvia
Dynamic range
dr400
White balance
shade
Kelvin
Not specified
WB red
-4
WB blue
-1
Highlight
-1
Shadow
-1
Color
-1
Sharpness
0
Noise reduction
0
Grain
off

Exposure tip: 0

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA RetroChroma
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
classic chrome

MGA RetroChroma

Mark G Adams / One Camera One Lens

  • Street & travel
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr100
White balance
shade
Kelvin
Not specified
WB red
-5
WB blue
4
Highlight
-1
Shadow
0
Color
0
Sharpness
2
Noise reduction
1
Grain
weak · options: weak / off

Exposure tip: 0

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Realistic Pro
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
pro neg hi

MGA Realistic Pro

Mark G Adams / One Camera One Lens

  • Nature
  • Natural
  • Overcast

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
shade
Kelvin
Not specified
WB red
0
WB blue
1
Highlight
-2
Shadow
-2
Color
4
Sharpness
4
Noise reduction
0
Grain
off

Exposure tip: Typically +1 EV or higher; expose as needed

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Provia Punch
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
provia

MGA Provia Punch

Mark G Adams / One Camera One Lens

  • Nature
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-2
Shadow
-1
Color
2
Sharpness
2
Noise reduction
0
Grain
off

Exposure tip: 0 EV; expose as needed

Source notes and additional settings: Color Chrome Effect Weak (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Vintage Chrome
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
classic chrome

MGA Vintage Chrome

Mark G Adams / One Camera One Lens

  • Nature
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr200
White balance
kelvin
Kelvin
6300
WB red
-5
WB blue
5
Highlight
-2
Shadow
-2
Color
-4
Sharpness
4
Noise reduction
-4
Grain
Not specified · options: off / strong

Exposure tip: 0 EV or expose for highlights

  • Grain: not specified

Source notes and additional settings: Grain as required; source examples include Off and Strong.; Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Vintage Summer
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
provia

MGA Vintage Summer

Mark G Adams / One Camera One Lens

  • Street & travel
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr400
White balance
kelvin
Kelvin
7700
WB red
-4
WB blue
-1
Highlight
-2
Shadow
2
Color
-2
Sharpness
4
Noise reduction
0
Grain
off

Exposure tip: 0 to +1 stop; +2/3 or more for a lighter summer look

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Eterna Sun (Retro Look)
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
eterna

MGA Eterna Sun (Retro Look)

Mark G Adams / One Camera One Lens

  • Street & travel
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr400
White balance
underwater
Kelvin
Not specified
WB red
8
WB blue
-8
Highlight
-1
Shadow
2
Color
-1
Sharpness
4
Noise reduction
-2
Grain
weak

Exposure tip: 0 EV or as needed

  • Film simulation: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Cezar Street
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
eterna

MGA Cezar Street

Mark G Adams / One Camera One Lens

  • Street & travel
  • Nature
  • Vivid
  • Golden hour

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr100
White balance
auto
Kelvin
Not specified
WB red
4
WB blue
-2
Highlight
-2
Shadow
4
Color
4
Sharpness
-3
Noise reduction
0
Grain
off

Exposure tip: 0 EV or as needed

  • Film simulation: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Colour Chrome+
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
classic chrome

MGA Colour Chrome+

Mark G Adams / One Camera One Lens

  • Everyday
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
auto
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-2
Shadow
-1
Color
4
Sharpness
0
Noise reduction
0
Grain
off

Exposure tip: 0 EV or as needed

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Nostalgic Provia
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
provia

MGA Nostalgic Provia

Mark G Adams / One Camera One Lens

  • Everyday
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
1
Highlight
0
Shadow
-1
Color
1
Sharpness
2
Noise reduction
0
Grain
off

Exposure tip: 0 EV

Source notes and additional settings: Color Chrome Effect Weak (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗Video ↗
Source photograph for MGA Fuji 400H Redux
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
pro neg hi

MGA Fuji 400H Redux

Mark G Adams / One Camera One Lens

  • Portraits
  • Natural
  • Daylight

X-T2 settings available

View settings
Film simulation
pro neg hi
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
-3
WB blue
2
Highlight
-1
Shadow
0
Color
2 · options: 2 / 3
Sharpness
0
Noise reduction
0
Grain
weak

Exposure tip: +1 EV or as much as the scene allows

Source notes and additional settings: Color Chrome Effect Weak (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Kodachrome Classic
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
classic chrome

MGA Kodachrome Classic

Mark G Adams / One Camera One Lens

  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr100
White balance
auto
Kelvin
Not specified
WB red
2
WB blue
1
Highlight
-2
Shadow
2
Color
4
Sharpness
3
Noise reduction
0
Grain
strong

Exposure tip: +2/3 EV

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Leica-Like V2
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
provia

MGA Leica-Like V2

Mark G Adams / One Camera One Lens

  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
provia
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
-2
WB blue
2
Highlight
-2
Shadow
-1 · options: -1 / 0
Color
3
Sharpness
4
Noise reduction
0
Grain
off

Exposure tip: +1/3 EV

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Classic Negative
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
classic chrome

MGA Classic Negative

Mark G Adams / One Camera One Lens

  • Street & travel
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
kelvin
Kelvin
5900
WB red
-4
WB blue
3
Highlight
-1
Shadow
-2
Color
1
Sharpness
0
Noise reduction
0
Grain
strong

Exposure tip: +2/3 or +1 EV; adjust for shadows

Source notes and additional settings: Classic Negative is the recipe name; the actual film simulation is Classic Chrome.; Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Primavera
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
eterna

MGA Primavera

Mark G Adams / One Camera One Lens

  • Street & travel
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr400
White balance
underwater
Kelvin
Not specified
WB red
7
WB blue
-3
Highlight
2
Shadow
1
Color
3
Sharpness
-4
Noise reduction
0
Grain
weak

Exposure tip: +2/3 or +1 EV

  • Film simulation: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA AGFA Classic
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
eterna

MGA AGFA Classic

Mark G Adams / One Camera One Lens

  • Everyday
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr100
White balance
underwater
Kelvin
Not specified
WB red
6
WB blue
-7
Highlight
2
Shadow
1
Color
3
Sharpness
-4
Noise reduction
0
Grain
off

Exposure tip: +1 EV; keep shadows visible

  • Film simulation: not supported on X-T2

Source notes and additional settings: Also named MGA Classic Aged on the individual recipe page.; Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Instant Film
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
eterna

MGA Instant Film

Mark G Adams / One Camera One Lens

  • Everyday
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr200
White balance
incandescent
Kelvin
Not specified
WB red
6
WB blue
6
Highlight
-1
Shadow
-2
Color
4 · options: 4 / 2 / 3
Sharpness
4
Noise reduction
0
Grain
off

Exposure tip: +1 EV; the author allows bright skies

  • Film simulation: not supported on X-T2

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Fred Herzog Kodachrome (V1 - Daily Use)
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
velvia

MGA Fred Herzog Kodachrome (V1 - Daily Use)

Mark G Adams / One Camera One Lens

  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
velvia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-1
Shadow
1
Color
3
Sharpness
3
Noise reduction
0
Grain
weak

Exposure tip: +1/3 EV

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗Video ↗
Source photograph for MGA Fred Herzog Kodachrome (V2 - Authentic Deep Shadows)
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
velvia

MGA Fred Herzog Kodachrome (V2 - Authentic Deep Shadows)

Mark G Adams / One Camera One Lens

  • Street & travel
  • Vivid
  • Daylight

X-T2 settings available

View settings
Film simulation
velvia
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
2
Highlight
-1
Shadow
3
Color
3
Sharpness
3
Noise reduction
0
Grain
strong

Exposure tip: +1/3 EV

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Portra 400
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
classic chrome

MGA Portra 400

Mark G Adams / One Camera One Lens

  • Portraits
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr100
White balance
auto · options: auto / daylight / shade
Kelvin
Not specified
WB red
4
WB blue
-4
Highlight
-2
Shadow
0
Color
3
Sharpness
2
Noise reduction
0
Grain
weak

Exposure tip: +1 EV; use the dial to keep shadows visible

Source notes and additional settings: Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Eterna XTra
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
eterna

MGA Eterna XTra

Mark G Adams / One Camera One Lens

  • Everyday
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
eterna
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-2
Shadow
-2
Color
1
Sharpness
4
Noise reduction
0
Grain
weak

Exposure tip: +2/3 EV

  • Film simulation: not supported on X-T2

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for Leica M10 Monochrom (V3 X-Trans IV version)
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
acros g

Leica M10 Monochrom (V3 X-Trans IV version)

Mark G Adams / One Camera One Lens

  • Street & travel
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
acros g
Dynamic range
dr400
White balance
kelvin
Kelvin
6300
WB red
6
WB blue
-7
Highlight
-2
Shadow
1
Color
Not specified
Sharpness
4
Noise reduction
0
Grain
off

Exposure tip: 0 EV or as needed

  • Color: not specified

Source notes and additional settings: B&W / WC Adjust -1 (not available on X-T2); Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for Kodak Double-X
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
acros ye

Kodak Double-X

Mark G Adams / One Camera One Lens

  • Street & travel
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
acros ye
Dynamic range
dr200
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-2
Shadow
1
Color
Not specified
Sharpness
4
Noise reduction
-4
Grain
strong

Exposure tip: 0 EV or ±2/3 EV

  • Color: not specified

Source notes and additional settings: B&W Adjust +1; newer-camera alternative WC +1 / MG 0 (not available on X-T2); Color Chrome Effect Weak (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Vintage Mono
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
acros r

MGA Vintage Mono

Mark G Adams / One Camera One Lens

  • Street & travel
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
dr100
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
-2
Shadow
-2
Color
Not specified
Sharpness
-4
Noise reduction
-4
Grain
off

Exposure tip: +2/3 EV

  • Color: not specified

Source notes and additional settings: B&W Adjust +2; newer-camera alternative WC +4 / MG 0 (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for MGA Leica Q2 Monochrom Cool
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
monochrome g

MGA Leica Q2 Monochrom Cool

Mark G Adams / One Camera One Lens

  • Street & travel
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
monochrome g
Dynamic range
Not specified
White balance
auto
Kelvin
Not specified
WB red
6
WB blue
-7
Highlight
1
Shadow
3
Color
Not specified
Sharpness
4
Noise reduction
0
Grain
off

Exposure tip: +2/3 EV

  • Dynamic range: not specified
  • Color: not specified

Source notes and additional settings: Source dynamic-range notation D400- is ambiguous and left unspecified.; B&W Adjust -7; newer-camera alternative WC -12 / MG 0 (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗Video ↗
Source photograph for MGA Sepia+
Photo: Mark G Adams / One Camera One Lens ↗Source-camera sample
sepia

MGA Sepia+

Mark G Adams / One Camera One Lens

  • Everyday
  • Black & white
  • Daylight

X-T2 settings available

View settings
Film simulation
sepia
Dynamic range
dr200
White balance
kelvin
Kelvin
2500
WB red
9
WB blue
9
Highlight
3
Shadow
3
Color
Not specified
Sharpness
-4
Noise reduction
4
Grain
strong

Exposure tip: +2/3 EV

  • Color: not specified

Source notes and additional settings: B&W Adjust unspecified; newer-camera WC 0 / MG 0 (not available on X-T2); Color Chrome Effect Strong (not available on X-T2).

Fujifilm X-Trans IV.

Source & photos ↗
Source photograph for Classic Negative Look — Jean-Pascal Remon
Photo: Jean-Pascal Remon / The Most Beautiful World ↗Source-camera sample
classic chrome

Classic Negative Look — Jean-Pascal Remon

Jean-Pascal Remon / The Most Beautiful World

  • Street & travel
  • Everyday
  • Muted
  • Daylight

X-T2 settings available

View settings
Film simulation
classic chrome
Dynamic range
dr400
White balance
auto
Kelvin
Not specified
WB red
-2
WB blue
4
Highlight
0
Shadow
0 · options: 0 / -1 / 2
Color
-1
Sharpness
-4
Noise reduction
-4
Grain
strong

Source notes and additional settings: Classic Negative look using Classic Chrome, not the newer Classic Negative film simulation.; Shadow 0 is the primary setting; the author also suggests -1 for a closer match or +2 for more contrast.; Lens modulation optimizer Off; set on camera.; Original author article: https://themostbeautifulworld.com/blog/classic-neg.

Fujifilm X-Pro2; also intended for X-T2.

Source & photos ↗
Source photograph for Reggie’s HP5
Photo: Reggie Ballesteros ↗Source-camera sample
acros r

Reggie’s HP5

Reggie Ballesteros

  • Everyday
  • Street & travel
  • Black & white

X-T2 settings available

View settings
Film simulation
acros r
Dynamic range
auto
White balance
auto
Kelvin
Not specified
WB red
0
WB blue
0
Highlight
2
Shadow
2
Color
Not specified
Sharpness
-1
Noise reduction
-3
Grain
weak
  • Color: not specified

Source notes and additional settings: Clarity 0 (not available on X-T2); Grain size Small (not available on X-T2); D Range Priority Off (not available on X-T2); Exposure mode Manual; set on camera.; The author uses a CineBloom 5% diffusion filter, with stronger diffusion for some samples.; Highlight +2 confirmed in the author’s video at 6:20 and 6:30; the article prints an extra dash before +2..

Fujifilm X100V, X-S10, X-E4 and X-T5 source samples.

Source & photos ↗Video ↗
Source photograph for Reggie’s Superia
Photo: Reggie Ballesteros ↗Source-camera sample
classic negative

Reggie’s Superia

Reggie Ballesteros

  • Everyday
  • Street & travel
  • Muted
  • Daylight

Reference · check settings

View settings
Film simulation
classic negative
Dynamic range
auto
White balance
auto
Kelvin
Not specified
WB red
1
WB blue
-3
Highlight
-2
Shadow
-1
Color
1
Sharpness
-2
Noise reduction
-4
Grain
strong
  • Film simulation: not supported on X-T2

Source notes and additional settings: Requires Classic Negative, which is not available on X-T2. No alternative simulation has been substituted.; Grain size Large (not available on X-T2); Color Chrome Effect Strong (not available on X-T2); Color Chrome FX Blue Strong (not available on X-T2); Clarity 0 (not available on X-T2).

Fujifilm cameras with Classic Negative.

Source & photos ↗Video ↗